From Preparatory to Grade 8.
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Royal Conservatory of Music (RCM) Classical Guitar Series 3rd Edition - 9 Volumes - Graded Repertoire
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Grossman Guitar Workshop John Miller Hillbilly Blues Guitar DVDrip
[img]http://www.guitarvideos.com/prodlarge/834coloradscan.jpg[/img]
As the Country Blues began to be recorded, in the mid-1920s, it soon became apparent that the music was being played and appreciated not only by African-American musicians and audiences, but by white musicians and audiences as well. Many of these white musicians played with and learned from black musicians, for even in the Jim Crow Era there was always a good deal of musical interaction and exchange. So it is that the term “Hillbilly Blues” can be used to describe the music made by white musicians of that era in the Country Blues style.
Included on this DVD are songs from Clarence Greene, known mostly as a fiddler, but an ace guitarist, Dick Justice, who in his one day in the recording studio waxed ten masterful performances, Frank Hutchison who excelled at lap slide, harmonica on a rack and conventional blues picking, Sam McGee, a banjo and guitar master who went on to star on the Grand Ole Opry, Hobart Smith, a musical powerhouse, Maybelle Carter, a rocksteady and beautifully lyrical player who may have been the most influential of the bunch and Emry Arthur, a soulful singer and player who recorded one of the earliest versions of Man Of Constant Sorrow.
The songs selected for inclusion on the DVD have been chosen to introduce you to a variety of different keys and playing positions, as well as a host of different right hand techniques.
A PDF included on the DVD offers not only detailed transcriptions of the songs, but the songs’ lyrics, too. All of the original performances by the musicians are included on the DVD as bonus tracks, both as references and for your listening enjoyment.
Titles include: CLARENCE GREENE Johnson City Blues DICK JUSTICE Brown Skin Blues FRANK HUTCHISON Cumberland Gap SAM McGEE Franklin Blues HOBART SMITH Graveyard Blues CARTER FAMILY The Cannon Ball EMRY ARTHUR Reuben, Oh Reuben
90 minutes • Level 2/3 • Detailed tab/music PDF file on the DVD
Review: The Black South didn't get all the best Depression-era licks. White Appalachia vented their misery over likewise inspirational creativity, as Hillbilly Blues Guitar instructively demonstrates. This how-to DVD pulsates with all sorts of moves: from thumb-thwacked leads and dash-away strums to more types of runs than a turkey through the corn. John Miller thoroughly breaks down, then reassembles, vintage songs so durable and enticing that everyone from John Fahey to the Old Crow Medicine Show has recycled them. They're the stuff of legend, from legends as historic as inductees in The Country Music Hall of Fame, includes on the super-famous Anthology Of American Folk Music, and recordees at the “Bristol Sessions,” the great hillbilly roundup of 1927 and 1928. Albeit impressive, the lickety-split whoosh of Frank Hutchison's “Cumberland Gap” - a crown jewel in the repertoire of old-time mountain music - is still no match for the flying fingered finale of Sam McGee's “Franklin Blues” which leaves the strings breathless. Ol' nine fingered Emry Arthur tried to keep pace by adapting the banjo hanger “Reuben, Oh Reuben” to a banging guitar, while Clarence Greene, Dick Justice, and Hobart Smith ran the blues from Johnson City to the graveyard. A graceful locomotive, “Cannon Ball Blues,” was preferred by The Carter Family. All these rhythmically driven guitars just beg to ring out in some lonesome hollow. – Dennis Rozanski/Blues Rag
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Grossman Guitar Workshop Tom Feldmann Masters of Bottleneck Blues Guitar DVDrip
[img]http://www.guitarvideos.com/prodlarge/837largescan%20.jpg[/img]
featuring Bobby Grant, Lead Belly, Blind Willie McTell, Barbecue Bob, Curly Weaver, Charley Lincoln, Bo Weavil Jackson, Ramblin' Thomas, Furry Lewis, Peg Leg Howell, King Solomon Hill, Sam Collins, Kokomo Arnold, Tampa Red, Blind Boy Fuller and Bumble Bee Slim
The blues recorded from the late 1920's thru late 1930's is certainly some of the most vibrant sounds in American music history. It seems that anyone and everyone could and would be recorded which created a catalog of stylistic diversity unmatched to date. The technique of using a slide, whether a metal tube, glass bottleneck or a knife was used by many of these early bluesmen.
This lesson offers a look into the players from that era that used this technique. Many had only one or two patterns by which they played but we have the great fortune of gleaning from them all, creating a well rounded grasp of the genre. Tom Feldmann is a master of this style and in these two DVDs, of over four hours, he breaks down the complexities of this way of playing.
Songs range from beginner to advanced. Most songs have a mixture of chords and fingered notes in addition to the slide, making this a great lesson for those looking to expand their knowledge of the bottleneck/slide technique as well as the Open D and Open G tunings.
A detailed tab/music booklet is included as a PDF file on each DVD. In addition the original recordings of all the tunes are included.
Titles Include: OPEN G TUNING: BOBBY GRANT Nappy Headed Blues LEAD BELLY C.C. Rider BLIND WILLIE MCTELL Love Changing Blues BARBECUE BOB Yo Yo Blues CURLEY WEAVER No No Blues CHARLEY LINCOLN Depot Blues BO WEAVIL JACKSON You Can't Keep No Brown OPEN D TUNING: RAMBLIN' THOMAS Shake It Gal FURRY LEWIS Falling Down Blues PEG LEG HOWELL Skin Game Blues KING SOLOMON HILL Down On My Bended Knee SAM COLLINS The Jailhouse Blues KOKOMO ARNOLD Rainy Night Blues TAMPA RED Boogie Woogie Dance BLIND BOY FULLER Homesick and Lonesome Blues BUMBLE BEE SLIM No Woman No Nickel
247 minutes • Level 2/3 • Detailed tab/music PDF file on the DVD
Review: The sixteen Masters Of Bottleneck Blues Guitar chosen as role models here are not the usual suspects. That's incredibly refreshing news for guitarists looking to better their game. Because, for his four-hour how to DVD lesson, re-creation extraordinaire Tom Feldmann intentionally dove down into country blues history for its deep tracks. And that makes all the difference. Not only do such colorfully unsung heroes as Salty Dog Sam Collins, Bumble Bee Slim and Curley “Georgia Guitar Wizard” Weaver get to impart their technique. But six-string jewels as exemplary as “The Jailhouse Blues,” “No Woman No Nickel” and “Rainy Night Blues” boost repertoires with true distinction. Plus, you'll be able to regale audiences with back-stories like how the fantastically slurping “Nappy Headed Blues” is one half of Bobby Grant's total lifetime discography. Or that Peg Leg Howell (of “Skin Game Blues” fame) earned his nickname no thanks to an enraged brother-in-law's shotgun blast. And that Barbecue Bob really was a master at smoking both Atlanta ribs and his “Yo Yo Blues.” From the softly sweeping glides behind Furry Lewis' “Falling Down Blues” to the bunched bursts inside King Solomon Hill's oddball “Down On My Bended Knee” to the old razzle dazzle of Tampa Red's “Boogie Woogie Dance,” Feldmann instructively picks apart this wild, prewar menagerie (the originals of which are all safely locked up as bonus audio material). – Dennis Rozanski/Blues Rag
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Troy Stetina Thrash Metal Guitar Method PDF MP3
[img]http://s1.gigaimg.com/avaxhome/94/b9/0020b994_medium.jpeg[/img]
Troy Stetina - Speed and Thrash Metal Guitar Method
Hal Leonard Corporation | July 1, 1991 | English | ISBN: 0793502543 | PDF/MP3 | 64 pages | 72.6 MB
Let the mosh begin! Learn the techniques and principles used by today’s heaviest bands including Metallica, Anthrax, Testament, and others. This truly radical method book takes you from slow grinding metal up to the fastest thrashing. Syncopation, shifting accents, thrash theory, progressions, chromatic ‘ear-twisting ‘ melodic dissonances, shifting time signatures, harmony, and more. CD features bull band accompaniment for all musical examples so that you can play along with the band. Fully transcribed in tablature!
Read more at http://ebookee.org/Troy-Stetina-Speed-and-Thrash-Metal-Guitar-Method_1779769.html#rbwsE03JDPT6hvhl.99
[img]http://s1.gigaimg.com/avaxhome/96/b9/0020b996_medium.jpeg[/img]
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Sander van Doorn & Firebeatz-Guitar Track
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Guitarist - June 2014 UK.pdf
[b]Guitarist - June 2014 UK
180 Pages | True PDF | English | 30 MB [/b]
Guitarist is the longest established UK guitar magazine. You'll find authoritative gear reviews, artist interviews, technique lessons and advice.
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Jarekus Singleton - Refuse To Lose 2014 ( Blues, Contemporary Blues, Modern guitar Blues ) @ 320
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[b]Artist: Jarekus Singleton
Title Of Album: Refuse To Lose
Year Of Release: 2014
Label: Alligator Records
Genre: Blues, Contemporary Blues, Modern guitar Blues
Quality: Mp3
Bitrate: 320 kbps
Total Time: 52:43 Min
Total Size: 123 Mb
Tracklist:
01. I Refuse To Lose
02. Purposely
03. Gonna Let Go
04. Crime Scene
05. Keep Pushin
06. Suspicion
07. Hell
08. Hero
09. High Minded
10. Sorry
11. Blame Game
12. Come Wit Me
[/b]
[quote][b]The title of Jarekus Singleton's album Refuse to Lose says it all. "It's like my life story in three words," Singleton says.
The Mississippian is a former college basketball star. He played three years as the starting point guard for the University of Southern Mississippi, before suffering an ankle injury in 2009. "It was really frustrating — I don't think I'll ever get over it 100 percent, but in a way, I've learned to deal with it," he says. "I wouldn't change it for the world because I think that happened to make me who I am today. It had a big impact on the way my music sounds, the conviction that I write with, the conviction that I sing and play with."
Singleton, who praises blues as an "honest genre," says his biggest musical inspirations are his uncle, grandfather and mother. His grandfather played guitar and was pastor of his church. He adds that he gets his biggest satisfaction from fan outreach. "When people e-mail me and Facebook me and say, 'Hey, you helped me get through a certain thing, you helped me get through this point,' that's what really means a lot to me as far as my release of my music."[/b][/quote]
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SonicCouture eBow Guitar EXS24 KONTAKT [oddsox]
[img]http://www.soniccouture.com/images/library/img-20090818190629.jpg[/img]
[size=200]WHAT IS AN EBOW?[/size]
The ebow ( Energy bow), is a small, hand held device that 'bows' the strings of a guitar using an electromagnetic field. It produces a unique guitar sound, with a very slow attack and infinite sustain.
To play the ebow, the guitarist holds it over the string, near the pickup or hole, so that the string sits in a small notch on the underside of the eBow. The eBow's magnets then cause the string to vibrate until it feeds back on itself at its own resonant frequency. This feedback loop is very similar to the well-known amplifier feedback, but a much more controllable version. The player can vary the loudness of the sound by moving closer or further away from the string, as with amplifier feedback. The ebow is switchable from low power mode to high power mode, which gives a strong, harmonically rich sound.
The ebow has been used at one time or another by nearly every guitarist under the sun : Radiohead, Tom Petty, Dave Gilmour, Sigur Ros, NIN, Coldplay, Smashing Pumpkins, The Cure, REM, U2, etc etc...
[img]http://www.soniccouture.com/images/library/img-20090818190039.jpg[/img]
[size=200]
CREATING THE SAMPLED EBOW INSTRUMENT[/size]
We wanted to capture the sound of the ebow for all those non-guitar players out there, or perhaps guitarists who have had problems using it with an acoustic guitar! Two guitars were painstakingly sampled, an acoustic and an electric. Both were sampled with the high and low power ebow setting, with vibrato and then again without vibrato. Several note off samples were recorded for every note, to make the instrument's response as detailed and lifelike as possible. The level of the note-off sounds can be mixed to taste by the user. The acoustic was recorded in full stereo to give a natural, spacious image. The electric was recorded mono D.I for use with amp simulators or for re-amping.
The high and low power setting can be cross-faded using the mod-wheel -a very expressive effect not possible with a physical ebow! The vibrato samples can be selected using a keyswitch on keys B5/C6 .
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Learning electric guitar - Troy Stetina - Rhythm Guitar 2 (MP3 + cleaned PDF).zip
guitar manual very good.
Greetings from Spain !!!
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Learning electric guitar - Troy Stetina - Rhythm Guitar 1 (MP3 + cleaned PDF).zip
guitar course
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Learning electric guitar - Troy Stetina - Lead Guitar 2 (1986, MP3 + cleaned PDF).zip
guitar course
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Learning electric guitar - Troy Stetina - Lead Guitar 1 (1986, MP3 + cleaned PDF).zip
guitar course
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Learning electric guitar - Progressive Scales and Modes (by Peter Gelling, MP3 + cleaned PDF).zip
guitar course
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Learning electric guitar - Jody Fisher - 2 Intermediate Jazz Guitar (MP3 + cleaned PDF).zip
guitar course
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Learning electric guitar - Jody Fisher - 1 Beginning Jazz Guitar (MP3 + cleaned PDF).zip
guitar course
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Learning electric guitar - Everything Rock & Blues Guitar Book (MP3 + cleaned PDF).zip
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Learning electric guitar - Chords & Scales for Guitar (Hal Leonard, MP3 + Cleaned PDF).zip
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Ian Siegal - Man & Guitar 2014 ( Acoustic Blues ) @ 320
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[b]Artist: Ian Siegal
Title Of Album: Man & Guitar
Year Of Release: 2014
Genre: Blues
Quality: 320 kbs
Total Time: 45:46 min
Total Size: 105 MB
Tracklist:
01. The Silver Spurs 4:29
02. Mary Don't You Weep 3:19
03. Interlude: Big George 0:26
04. Mortal Coil Shuffle 3:51
05. Interlude: Charlie 1:02
06. Pony Blues 2:45
07. I Am The Train 3:30
08. Taint Nobody's Business 3:34
09. Interlude: Young Mickey 1:31
10. Falling On Down Again 4:57
11. Preachin' Blues/Live So God Can Use You/You Got To Move (medley) 5:38
12. Gallo Del Cielo 6:17
13. Hard Times (Come Again No More) 4:27[/b]
[quote][b]Recorded by the BBC at the Royal Albert Hall, London. Man & Guitar finds multi-award winner Ian Siegal at his bare-bones best, tearing up an unplugged solo set as part of Bluesfest 2013 at the Royal Albert Hall in London. This is the performer at his most punchy, pugnacious and smash-and-grab exciting. There were no bells, whistles or safety nets just a world-class performer bleeding into some his favourite songs. The BBC s capturing of Siegal brings every drop of atmosphere tumbling through the speakers. It s all been caught in the bottle: the soul-fingered fretwork, the evocative gravel-flecked vocal and the deadpan banter.[/b][/quote]
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Guitar Lesson & Chords of Various song
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Guitar hero 2[XBOX360][Region Free][XDG2][Reloaded.by.LordZeus4]
Rock the Rhythm, Lead, and Bass Guitar tracks in the follow-up sequel to "Guitar Hero." Form your guitar duo and shred riffs cooperatively or go head to head in all new multiplayer modes. With over 55 tracks to rock out to, you'll go from Guitar Hero to Guitar god in one press of a fret button. Choose from multiple rock characters and jam at concert venues that grow in size as your rock career progresses. You'll start your rock career playing small clubs and bars, but if you play well you'll work your way up to stadiums and arenas. Guitar Hero II takes the guitar rock experience to new volumes by allowing players to play 3 different guitar tracks: Rhythm, Bass, and Lead. Guitar Hero II introduces all new multiplayer modes like: cooperative, pro-face off, and face off, letting 2 Guitar Heroes conduct their own symphonies of destruction. Shred School: Guitar Hero II features an all new practice mode, allowing Guitar Zeroes to become Guitar Heroes with enough practice. With Guitar Hero II for Xbox 360 rock rhythm, lead, or bass guitar tracks with downloadable content and the new X-Plorer controller, designed specifically for the Xbox 360. [RedOctane
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